Appan náti úpaltime;
Auri vanwe calir ninna.
Fernando Pessoa

Appanye náti úpaltime
Yá i meneldie nári hraicénime,
Yá lencave ettule i hiswa lúme
Rénallo lómio ar feanyan latya
I muina ando minna turmen hísea,
Men elmendea cilmion únótime
Yass’ appan náti úpaltime.

Auri vanwe calir ninna
Yá feanya tulta i olor insenna
Yá onortas taura Aiwenáro sina,
Ante ilquo ya cé ua martuva oi ,
Envinyatar mardion et i astollo.
Ar tenna cuivienya, lúmesse senna,
Auri vanwe calir ninna.

Lucid dreams (Glosa)

Oron pella oronye i luine lúme.
Morna, orna, tarne i taure nísima.
Rímaryasse ninqui lóteli ilcaner.

Tucina inen elevie ilcaner,
*Arassince ranne ter i senda lúme
Tussanna netya mi calasse nísima.

Tasse tyáves lóte pa lóte nísima
Tenna Lómitáriva míri ilcaner
Ar mornie tompe i lúcea lúme.

Sie vanwe nér
I lúme nísima ar
I lóti i ilcaner.

Beyond the mountain rose the blue hour.
Dark , tall, stood the fragrant wood.
On its edge white flowers gleamed.

Drawn by those (who) starlike gleamed,
A fawn wandered through the peaceful hour

My stab at a syllable-counting Fib:

Tan!
Tan!
Tanta!
Tantare...
Ni·ave qillo...
Ai, malda ne nímo ave!

This is all from the Early Quenya Grammar except for ?av- which is what I make of QL:33 avin 'he departs', p.t. ambe.

Translation:

'Tap!
Tap!
Taptap!
A dance...
I'm getting out of here...
Oh, it's better that I get out!'

Carni-mírie effírie pella
Nért Míriello pempeu ilvanya(r).
Ma ece men save Serindeo fóle
I anes yando quile-maitar?

Red-jewelled beyond death
were Míriel's perfect lips.
May we believe in the Broideress' secret
that she also was a color-artist?

This is a parody of a poem by Christina Rossetti. Can you find out which one?

Olosta
Losille
lostea áyanen
Pa i elmenda
Yanen cuivie walmeye nér tyárine -
Ma anes milya hwesta hya i miquelis wilwarindo?

I found this poetry form a few days ago by chance and a pencil drawing I made was the pretexte to try it out in French and Quenya. The forme started its career in 2006 apparently from this blog :

http://gottabook.blogspot.com/2006/04/fib.html

One can count either syllables, metric feet or words.

and here my French original :

Le baiser du papillon

Une
Rose
Éclose
S'interroge
Longtemps sur l'éveil

Fairion felehta that I posted during 2010 is now accompanied with a video (Quenya subtitles and music).

http://www.quettar-orenyallo.ch/neoquenya%20own/fairion%20felehta.htm

There was a number song at the end of Omentielva Cantea, but it was just all the numbers in order, which is kind of boring. Try instead singing the following text to this melody:

Mine, atta, nelde naukoron,
Kanta, lempe, enque nornoron,
Otso, tolto, nerte nuxoron,
Pitya-naukoron quain.

Quaine, nerte, tolto nuxoron,
Otso, enque, lempe nornoron,
Kanta, nelde, atta naukoron,
Naukaliello min.

For the advanced, there is also a Sindarin version:

Min naug, tâd noeg, neledh nibin-noeg,

To change from haiku and tanka, here is a cinquain following the Adelaide Crapsey form that has a syllabic pattern of 2/4/6/8/2 or a syllabic stress pattern of 1/2/3/4/1. A. Crapsey gave titles to her cinquains that could form part of a 6th line. I tried the same here:

LÓRE
Alqua
celumesse
ara ráva lutta
yat mi quessaron sére ve
fána

A swan
on the flow
beside the bank floats
neck within feathers' peace like
a cloud

and here is the French version (classic syllabic count)I wrote yesterday after having watched a beautiful swan floating down the Rhône. :

Tuileo lindi
ter i aure lamyea
aiweo "qui qui"
sámanyas nallamyea
é, mana qui, mana qui...

This Tanka works of course only in Quenya or any other language where the sound of "kwi" means "if"!

Spring tunes
through the day sounds
a bird's "if, if"
in my mind sounds back
indeed, what is if, what is if...